Tag: music
Chuck Loeb: The Huffington Post Interview
by Veritas on Oct.29, 2012, under Press &Reviews
Leave a Comment :album, bob james, chuck loeb, concert, de boerderij, esprit de four, festival, fourplay, germany, interview, Japan, jazz, jazz club, music, nathan east, nederlands, netherlands, nigeria, nightclub, studio, symphony more...Bob James: The Huffington Post Interview
by Veritas on Oct.29, 2012, under Press &Reviews
Leave a Comment :album, blue note, bob james, concert, de boerderij, esprit de four, europe, festival, fourplay, germany, harvey mason, interview, Japan, jazz, jazz club, london, music, nathan east, nederlands, netherlands, new york, night club, recording, studio, tokyo, tour, tsunami, zoetermeer more...Bob James announces “Jazz for Japan” performance with Seiko Matsuda
by Veritas on Oct.26, 2012, under Event, News
Bob James will perform with Seiko Matsuda on October 29, 2012 in Ofunato, Japan to benefit “Jazz for Japan”. This project has been a personal journey for Bob with his close ties to the country of Japan.
‘Esprit de Four’ is All About Jazz
by Veritas on Oct.26, 2012, under Press &Reviews
Bands don’t last over two decades with minimal turnover in personnel and continued success if they’re composed of egotists, prima donnas, drama queens or people that just don’t play nice together. Fourplay has endured and thrived because it is an egalitarian coalition of seasoned professionals who set aside private agendas to serve the group dynamic.
Harvey Mason Talks Hybrid Jazz with Trish Hennessey
by Veritas on Oct.25, 2012, under Press &Reviews
Leave a Comment :album, amsterdam, bob james, chuck loeb, concert, de boerderij, esprit de four, europe, festival, fourplay, germany, harvey mason, interview, jazz club, music, nathan east, nederlands, netherlands, nigeria, night club, nightclub, studio, tour, zoetermeer more...Fourplay’s Bob James Talks about “Put Our Hearts Together”
by Veritas on Oct.25, 2012, under Videos
Bob James talks about the single “Put Our Hearts Together“, from Fourplay’s new album Esprit de Four, and his personal connection to the people and culture that makes Japan so special.
‘Esprit De Four’: Still Working Over the Charts at #7
by Veritas on Oct.25, 2012, under News
‘Esprit De Four’ is still working over the top of the charts…
Currently #7 on the Contemporary Jazz Chart!
Temecula, CA – 10/13/12 – USA – Thornton Winery Presents….Fourplay – Thornton Winery
by Veritas on Oct.13, 2012, under Event
Event | Thornton Winery Presents....Fourplay |
When |
Saturday, October 13, 2012
|
Where |
32575 Rancho California Road
Temecula, CA, USA 92591 |
Chuck Loeb & Harvey Mason Chat with Jazz Monthly
by Veritas on Oct.13, 2012, under Press &Reviews
Heading into their third decade of making multi-faceted recordings that perfectly blend pop accessibility, rhythmic R&B and colorful jazz improvisations, Fourplay in 2010 issued a challenge to their listeners on their second Heads Up date: Let’s Touch The Sky. This project marked the group’s first with Chuck Loeb, a veteran jazz guitarist whose resume includes everyone from Stan Getz and Steps Ahead to a two decade catalog of contemporary and traditional jazz solo recordings. Joining founding members Bob James (keyboards), Nathan East (bass/vocals) and Harvey Mason (drums/percussion), Loeb follows in the formidable footsteps of founding Fourplay guitarist Lee Ritenour and Larry Carlton, who toured and recorded with the group for 12 years. Six of the supergroup’s 12 recordings since 1991’s self titled debut have hit #1 on Billboard’s Contemporary Jazz Albums chart.
‘Esprit de Four’ is Examined
by Veritas on Oct.13, 2012, under Press &Reviews
After 13 albums scattered across 21 years, the men of Fourplay need no introduction but here they are nonetheless – Bob James (keyboards), Nathan East (bass), Chuck Loeb (guitar) and Harvey Mason (drums).
The group’s previous Heads Up release, “Let’s Touch the Sky” (2010), was fine but “Esprit de Four” is distinctly warmer and more appealing. The opener, “December Dream,” gets things started right by being both enchantingly ephemeral and rooted in rhythm. Loeb’s guitar work is exquisite here, as it is on the lovely, mellow title track.