Fourplay

Tag: studio

Chuck Loeb & Harvey Mason Chat with Jazz Monthly

by on Oct.13, 2012, under Press &Reviews

Heading into their third decade of making multi-faceted recordings that perfectly blend pop accessibility, rhythmic R&B and colorful jazz improvisations, Fourplay in 2010 issued a challenge to their listeners on their second Heads Up date: Let’s Touch The Sky. This project marked the group’s first with Chuck Loeb, a veteran jazz guitarist whose resume includes everyone from Stan Getz and Steps Ahead to a two decade catalog of contemporary and traditional jazz solo recordings. Joining founding members Bob James (keyboards), Nathan East (bass/vocals) and Harvey Mason (drums/percussion), Loeb follows in the formidable footsteps of founding Fourplay guitarist Lee Ritenour and Larry Carlton, who toured and recorded with the group for 12 years. Six of the supergroup’s 12 recordings since 1991’s self titled debut have hit #1 on Billboard’s Contemporary Jazz Albums chart.

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‘Esprit de Four’ is Examined

by on Oct.13, 2012, under Press &Reviews

After 13 albums scattered across 21 years, the men of Fourplay need no introduction but here they are nonetheless – Bob James (keyboards), Nathan East (bass), Chuck Loeb (guitar) and Harvey Mason (drums).

The group’s previous Heads Up release, “Let’s Touch the Sky” (2010), was fine but “Esprit de Four” is distinctly warmer and more appealing. The opener, “December Dream,” gets things started right by being both enchantingly ephemeral and rooted in rhythm. Loeb’s guitar work is exquisite here, as it is on the lovely, mellow title track.

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Smooth Jazz Magazine is Caught up in ‘Esprit de Four’

by on Oct.13, 2012, under Press &Reviews

The most difficult thing about listening to Fourplay’s latest offering “Esprit de Four” was selecting my favorite tracks. This super group has been consistent in delivering outstanding product with each release since their 1991 self-titled debut CD “Fourplay”. Although only three of the original group members appear on this project, they all gel so well that it sounds as if that they’ve played together forever. A perfect example of this cohesion is the track entitled “Venus”. Absolutely heavenly. The composition is creatively packed with subtle surprises perfectly blended into one of the most superfluous compositions I’ve ever heard.

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Fourplay’s ‘Esprit de Four’ Receives Praise from Across the Land

by on Oct.13, 2012, under Press &Reviews

Esprit de Four is a shining example of jazz as a collaborative endeavor; these well-established soloists play as equals in a band that communicates on a level that most groups only dream of.” (continue reading…)

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Legendary Bassist Nathan East chats with Coffee Talk Jazz Radio

by on Oct.07, 2012, under Press &Reviews

“How does one attain the type of musical diversity, popularity, and longevity in the music business as grammy winning bassist, songwriter and vocalist Nathan East?

Find out…

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The All Music Review of ‘Esprit de Four’

by on Oct.01, 2012, under Press &Reviews

For over 20 years, the collaborative ensemble Fourplay has grown ever more cohesive in its approach to modern jazz. When the three founding members added guitarist Chuck Loeb to the lineup for 2010’s Let’s Touch the Sky, the group attained perfect dialogic balance.

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Fourplay is Spreading across the Land…

by on Sep.28, 2012, under News

On a visit to Chiang Mai, one could end up at the Airport Central Plaza.  The Plaza is a 5 story mall with virtually everything one can imagine.

In the midst of the mall we heard music.  It wasn’t Thai though.  It was something familiar, and we knew it.  Following the sounds we ended up at the Lana Tourism exhibit, where music was being played by a DJ in between performances.  The DJ was a man of few words, but what he was playing spoke loud and clear…Fourplay
Truly, music is the unifying spirit of all who have the soul to embrace it…
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