“How does one attain the type of musical diversity, popularity, and longevity in the music business as grammy winning bassist, songwriter and vocalist Nathan East?

Find out…

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For over 20 years, the collaborative ensemble Fourplay has grown ever more cohesive in its approach to modern jazz. When the three founding members added guitarist Chuck Loeb to the lineup for 2010’s Let’s Touch the Sky, the group attained perfect dialogic balance.

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Keyboardist Bob James, bassist/vocalist Nathan East, guitarist Chuck Loeb and drummer/percussionist Harvey Mason offer listeners a solid program of brand new compositions written by each of them on their latest release titled Esprit de Four.

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Fourplay’s Esprit de Four debuts at #1 on the Contemporary Jazz,  #2 Current Jazz Albums Charts, and cracks the Billboard’s Top 200!

Fourplay is one of those amazing groups that only seems to improve with age and despite numerous changes in the bands line up over the years.

Esprit De Four is their latest and for me perhaps their finest release in their storied career. This is the second release featuring guitarist Chuck Loeb with the fascinating aspect that the band made the necessary adjustments to fit his sound and the unique and harmonious symmetry continues without interruption but instead a fresh perspective.

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Photos: Akin Aworan

Former John Stevens sideman Francis Graham-Dixon reviews Fourplay in performance on the eve of the London Jazz Festival and asks why is this kind of music generally so ill-served by the jazz press?

Fourplay embarked 20 years ago on a collective project that has stood the test of time. Those lucky enough to witness their performance at The Grand, Clapham at the end of a European tour were treated to a spellbinding night of music combining emotional power and intensity with peerless virtuoso brilliance; hardly a surprise when you consider that this group of musicians comprise some of the very best instrumentalists and songwriters of any era, and all at the top of their game. Yet I have seen no other review of this brilliant gig in the jazz press. Why is this kind of music generally so ill-served by the specialists?

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“After 20 years of Fourplay, maybe they felt we should move on…”, says Chuck Loeb in a jocular manner later that night, employing the pun on words in the band’s name when introducing one of the songs he contributed to Fourplay’s 12th album “Let’s Touch the Sky“. While the cover art suggests that very endeavor with the band member’s hands reaching up, nearly two hours of stellar live music performances left no doubt among avid music lovers who had flocked to Bayerischer Hof Night Club on this November, 8th 2011 night that Smooth Jazz’s famous supergroup are doing exactly that: They’re not only touching the sky, but weaving a musical skyscape with arrangements and solos that exude virtuosity, verve and vitality in equal parts.

Katharina Ehmki, CEO of Ehmki Music Management, promoter and press relations at the venue, landed the renowned music act as a major highlight of her New York at Bayerischer Hof series, and proved her experienced hand at knowing Jazz fans’ expectations: Fourplay packed the place to the last available seat and had every non-seated area crowded as well! Which might explain why fans had started to line up well before admittance at 8 pm, as Fourplay had sold out many venues prior to coming to Munich.

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