Fourplay

Tag: album


Nathan East Hits the Studio to Work on His New Album

by on Jul.28, 2013, under News

Hanging with my brother & collaborator Marcel East outside the studio ... lovin' life & working on new cd! - 965359_544863478884695_456371650_o

Nathan hanging with his brother & collaborator, Marcel East.

Lovin’ life & working on the new album!

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Smooth, but with a Punch: Longtime Stars James, Sanborn Deliver Strong Performance

by on Jun.27, 2013, under News, Press &Reviews

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OTTAWA — Scratch a veteran smooth jazzer and underneath you might find a jazzer.

So it seemed from Monday night’s TD Ottawa Jazz Festival concert by Bob James and David Sanborn. The two jazz stars, co-leading an acoustic group with drum legend Steve Gadd and rock-solid, scene-stealingly good acoustic bassist Scott Colley, played with not only crowd-pleasing accessibility but great intensity and sincere commitment, too.

While they might be renowned for a string of polished, funky studio efforts that opened the door for the vapidity of Kenny G and the smooth jazz ilk, James and Sanborn, while true to their signature sounds, were not making background music. The concert was certainly polished and smooth, groovy and bluesy, but smooth jazz in the elevator-music sense it wasn’t.

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‘Quartette Humaine’ Continues to Climb the Charts

by on Jun.26, 2013, under News

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Bob James and David Sanborn’s new album Quartette Humaine continues its rise to the top of the charts…

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Chuck Loeb presents…”Silhouette”

by on Jun.22, 2013, under News, Videos

Presenting the title track from the forthcoming Chuck Loeb album

“Silhouette”

Available

August 2013

Follow Chuck

www.chuckloeb.com

Twitter: @chuckloeb

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“Esprit De Four” Reaches New Heights

by on Jun.17, 2013, under News

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Fourplay’s “Esprit De Four”, composed by Harvey Mason, is in play aboard US Airways and United Airlines!

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Justin Tedaldi Examines ‘Quartette Humaine,’ with Bob James & his 50 years in music: Part 2 of 2

by on May.28, 2013, under News, Press &Reviews

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We’ve been talking about jazz this whole time, but to the younger generation you’re mostly known as someone whose work has been sampled in countless hip-hop songs.

[Pauses] Is that a question? [Laughs]

On first glance, you’re probably the last person in the world that would be associated with hip-hop, as indelible as the melodies and the compositions that you’ve come up with are. Do you have any idea how it all started? I’m guessing it was from “Nautilus,” but when did you first realize that something was going on there?

I wish I knew. I was flabbergasted, and I think I was probably a little bit slow in even finding out about that crazy phenomenon that happened. The first one that I discovered came about as a result of a friend calling me to ask me if I was aware of [DJ] Jazzy Jeff and the Fresh Prince, and they had a recording [“Here We Go Again”] in which they had sampled my recording of “Westchester Lady.” This came before, whether or not historically it came before the sampling of “Nautilus,” I don’t know, but this was the first one that I became aware of. And it reached the public spotlight because their record [“Parents Just Don’t Understand”] won the [Grammy Award for Best Rap Performance].

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