Piano and bass. Bob James and Nathan East. Fusion jazz with soft character? Of course we are aware of the flexibility of the two warriors-the bassist participated in Daft Punk’s “Get Lucky” that garnered attention – but both gentlemen met and stepped into the studio to record a series of duo jazz adventures was not expected. And they adorned some of their music with the lavish soundscapes of Nashville Recording Orchestra in generous manner or invited other guests in the inner circle studio. “The New Cool” promises a lot – from September we will know more.

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I forgot for a minute that Yamaha manufactures a lot of gear so I was a little dumbfounded for a minute about why these two long time pros were recording for a new, off beat label. Duh. In today’s world this makes perfect sense. What better way to have Yamaha show off all kinds of their recording and playing gear by putting it in the hands of these two pros and telling them ‘do whatever the hell you want’. Let’s just say James and East wouldn’t get this kind of love at Sony, WB, E One or any of the other usual haunts for their solo or Fourplay projects these days—all the way down to Bernie Grundman doing the mastering. Jazz with no walls or eyes on the clock is what these rascals serve up as they corral Vince Gill, the Nashville Recording Orchestra and more as they let 25 years of playing together show off the telepathy and simpatico they have evolved along the way. Real music for real listeners, slip on the headphones, block out the noise and let the magic have it’s way. Well done.

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